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c. 1445 – May 17, 1510. Italian painter.

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Andrea del Castagno
Stories of Christ's Passion (synopia)

ID: 32210

Andrea del Castagno Stories of Christ's Passion (synopia)
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Andrea del Castagno Stories of Christ's Passion (synopia)


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Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.  Related Paintings of Andrea del Castagno :. | The Young David | Our Lady of the Assumption with Sts Miniato and Julian | Famous Persons: The Cumean Sibyl | Equestrian Statue of Niccolo da Tolentino | Crucifixion hhh |
Related Artists:
Theodore Rousseau
1812-1867 French Theodore Rousseau Galleries Rousseau's pictures are always grave in character, with an air of exquisite melancholy which is powerfully attractive to the lover of landscapes. They are well finished when they profess to be completed pictures, but Rousseau spent so long a time in working up his subjects that his absolutely completed works are comparatively few. He left many canvases with parts of the picture realized in. detail and with the remainder somewhat vague; and also a good number of sketches and water-color drawings. His pen work in monochrome on paper is rare; it is particularly searching in quality. There are a number of fine pictures by him in the Louvre, and the Wallace collection. contains one of his most important Barbizon pictures. There is also an example in the Ionides collection at the Victoria and Albert Museum.
Gandolfi,Gaetano
Gaetano Gandolfi (31 August 1734 - 20 June 1802) was an Italian painter of the late Baroque and early Neoclassic period, active in Bologna. Gaetano was born in San Matteo della Decima, near Bologna, to a family of artists. Ubaldo Gandolfi was his brother, Mauro Gandolfi was his son, and Democrito Gandolfi was his grandson. Gaetano became a "student" at the Accademia Clementina in Bologna, where he was taught by Felice Torelli and Ercole Lelli. In the academy, he was the recipient of several prizes for both figure drawing and sculpture. Later, in an autobiography, Gaetano claimed Felice Torelli (1667-1748) as his master. Other sources mention Ercole Graziani the Younger (1688-1765) and Ercole Lelli. He traveled to England, and became strongly influenced by Tiepolo. Gaetano died in Bologna, Italy.
James Wilson Morrice
(August 10, 1865 Montreal - January 23, 1924 Tunis) was a significant Canadian landscape painter. He studied at the Academie Julian in Paris, France, where he lived for most of his career. Morrice was the son of a wealthy merchant, and studied law in Toronto from 1882 to 1889. In 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Academie Julian from 1892-7. At Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, although he spent most of his winters in Canada. He made many connections in the intellectual circles of Paris, while also remaining in touch with the Canadian art world:






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